Lion’s Share Industries has finally launched! Go buy some shirts!
I designed one entitled Wind-Up Bird and also did a not-very-good-job of being a model. Maré Odomo did a shirt called Who Cooks for You and modeled, too. Handsome devil.
Selected works by Scott Garner of Seattle, Washington
Lion’s Share Industries has finally launched! Go buy some shirts!
I designed one entitled Wind-Up Bird and also did a not-very-good-job of being a model. Maré Odomo did a shirt called Who Cooks for You and modeled, too. Handsome devil.
The interactive installation I created for my final BFA thesis project, Heartache as a Masterpiece, will be on display at the Cornish College of the Arts BFA Show from May 14th to 29th. The opening reception is May 14th at 5pm.
The project initially will be on view exclusively in the Cornish Gallery, but one week later will launch online here: Heartache as a Masterpiece.
My very first art show is now up at the Madrona Vérité Coffee/Cupcake Royale in Seattle, Washington from December 1 to December 31st. I’m planning a reception on Friday, December 11 at 6pm and will post details as they become available.
Each of the mounted, varnished pieces in the show is available for $100. I’m also selling a limited series of prints of each piece in my Etsy Store for $12 each.
There’s a little blurb about the work at Joey Veltkamp’s site Best Of, too.
Massive thanks to Maré Odomo, Leslie Kam, Jin Kong, Tony Evans and Beth Olsen for all of their help and support.

I’ve been threatening to do this for a long time (almost a year, actually), but I’m finally giving it a go:
Will I keep up with it? We’ll see.

Earlier this year, I did some rotoscoping work for Ryan Rothermel’s short film Sans Gallagher the Younger, which he created for F5. It’s up on his website now and I have to say that I’m pretty stunned by the final result—especially since all I was looking at in working it was a bunch of brightly-lit piles of rotten fruit.

Sweet Crude, a film I worked on earlier this year as Motion Graphics Director, is an official selection at the 2009 Seattle International Film Festival. It’s my first “real credit” in a big production, so I’m excited to see it on the big screen. Check it out if you can.
Apparently my one-minute animation Leading the Blind won Best In Show at the Cornish College of the Arts 1-2-3 Show.
I’m just as surprised as you are.